No standard sizes
Every proportion is resolved around the room, the use and the way you live.
Furniture and architectural timberwork, drawn for one place and made for one life.
A table, an entrance, an entire room. Bring us the idea that does not exist yet; we will draw it until it can be built.
Hand-cut joinery. Solid fittings. Finishes rubbed in coat by coat. The unseen parts are built like the ones on show.
Every board is selected for its grain, figure and the way it will grow more beautiful in your home.
One conversation is enough to begin.
We do not manufacture. We make one commission at a time—in solid timber, with joinery that earns its place and finishes that let the grain speak.
No catalogue. No repeats. The result is a piece that belongs to its room, its material and the person who asked for it.
Every proportion is resolved around the room, the use and the way you live.
Boards are selected individually for figure, movement and long-term character.
The construction is considered from every angle—even where nobody will look.
A study in balance: a pale oak plane, a deep rosewood structure and a single line of solid brass. The piece that anchors the film above rewards the closer look.
Oak & rosewood
Solid brass
Ballito, KZN
The list is deliberately incomplete. If the work belongs in timber, bring it to the atelier.
Dining, boardroom and writing tables; studies, libraries, beds and one-off pieces.
Statement doors and entrances, full-height panelling, libraries and rooms finished entirely in timber.
Bars, boats’ interiors, chess tables, cellar doors and the project only you can describe.
We do not prescribe a species before we understand the piece. Grain, movement, touch and the life it will live all matter.
Beautifully workable and naturally composed, kiaat is at home in dining tables, doors and pieces made for coastal living. Best for: tables, doors, outdoor pieces.
The timber of Cape heirlooms has a calm, refined figure. We use reclaimed and licensed stock only. Best for: heirloom tables, panelling, restoration.
A classic of Natal furniture-making, rich without becoming loud and exceptionally suited to rooms with presence. Best for: boardroom tables, studies, statement pieces.
French oak takes texture, fuming and liming beautifully while retaining a clear architectural grain. Best for: doors, panelling, framed construction.
From black walnut’s quiet depth to iroko’s coastal resilience and ash’s ability to bend, the material follows the work—not fashion. We also mill meaningful client-supplied trees where the timber is suitable.
Species are sourced with their paperwork in order—licensed, plantation-grown or reclaimed. Availability changes, as it should with a natural material.
You remain close to the work. The drawings are clear, the quotation is fixed, and the piece is photographed as it grows.
We meet at the atelier or your site and talk about the room, the use and the life the piece will live.
Scaled drawings, a fixed quotation and a walk through the available timber to choose your boards.
One bench, one maker and regular progress photographs. You are welcome to visit mid-build.
We deliver, place and finish on site, then return after a season to check how it has settled.
Minutes from Ballito’s beaches, the atelier is part bench room, part timber store and part drawing office. Most commissions begin with coffee here and a conversation over the boards.
We take a limited number of projects so each one receives the drawing time, bench time and finishing time it deserves.
Tell us what you are imagining. A rough description is enough—we will come back with first thoughts, honest timelines and a date to meet.
A personal reply within 2 working days